Stephanie McMillan

RSS
‹
  • Bio
  • Press
  • Shop
  • Events
  • Contact
  • Sneak Previews
  • About the comics
  • Portfolio
    • Comic strips – various
    • Illustrations
    • Paintings
    • AIDS series
    • Book covers
    • Full page comics and graphic novels
    • Social media cartoons

Editor believes editorial cartoons are for amusement only

by admin on November 21, 2009 at 11:04 am
Posted In: Blog

Editor & Publisher has an article about some people protesting an offensive cartoon. That’s great — I love protests against offensive things.

But this sentence gave me the chills:

“Newsday issued a statement saying,’we expect the cartoons we publish, many of which are nationally syndicated, to amuse, stir and entertain, but never to offend’.”

Wow. What an extraordinary, horrifying statement. I loathe the cartoon, but that’s not the point — this statement makes it clear that the trend toward blandifying papers has not only not slowed, but that editors freely admit that they’re okay with it. They’re afraid of their readers and afraid of editorializing. This fear of offending anyone is stultifying and so dangerous. Does anyone still think we live in a free society?

I think that as the economic, environmental and other crises increasingly worsen, Americans will become more polarized (that’s already happening) and will demand sharper opinions in all areas of the culture. We see the success of those who start to speak out more openly on tv and online. I hope newspaper editors start to understand this emerging trend and figure out that their readers want controversy and strong opinions, not bland meaninglessness.

The whole *purpose* of editorial cartoons is to enlighten, expose, inspire and offend! NOT to “amuse and entertain.” Those are secondary. As Mike Lester (a cartoonist who often seriously offends me) correctly stated, non-offensive cartoons “are called greeting cards.”

3 Comments

This week’s Code Green cartoon

by admin on November 20, 2009 at 4:45 pm
Posted In: Blog

You can see a new “Code Green” editorial cartoon every Monday at stephaniemcmillan.org/codegreen/

  Comment

Capitalists can never stop killing the planet.

by admin on November 20, 2009 at 10:44 am
Posted In: Essays/Ideas

In a discussion group I participate in, someone asserted that capital, as a unified entity, could act to save itself by reducing its damage to the environment, even if it had to sacrifice significant profit to do so. I’m sure that for many people, this belief underlies their hopes for progress at the Copenhagen talks. But these talks are now falling apart before they even happen, which was inevitable given the fundamental nature of global capitalism.

I’m revising some of my comments to the group for re-posting here:

Because of the globalization of production and consumption, the intertwining of complex financial markets, and because capitalists employ mechanisms (like the UN or World Bank) for uniting for particular cooperative purposes, they can seem essentially multinational in character. But the ruling class is not in fact globally unified and can not act as such, even in this final stage of the imperialist era. They are still separate blocs rooted in nations, competing over resources and markets. China vs. India vs. U.S…. these are still real rivalries. Capitalists still require their national governments and armies to defend their interests as they persist in trying to expand their global reach.

One might argue that national governments act as international representatives to facilitate relationships between blocs of capital that are more cooperative than competitive. But let’s see what happens when the value of China’s investments in US treasuries dissolves when the dollar collapses. Let’s see what happens when China builds a dam that blocks a major river from reaching India. Or how the current struggle over Central Asia’s oil plays out. On an individual level, the national character of capital blocs becomes obvious during the simple act of attempting to buy or use foreign currency.

Any talk by governments, individually or collectively, of managing the environmental crisis is either 1) lies to pacify the people and divert the energy of more potentially radical environmental movements or 2) schemes for making more profit while actually making the crisis worse (carbon offsets, for example, actually increase carbon emissions).

Those in power can and do collectively make minor specific adjustments in policy, and trumpet these as evidence that they really won’t destroy the planet, or at least will try very very hard not to. But these are meaningless — it’s the trend overall that matters. Who cares about adjustments when they’re still killing everyone? They congratulate themselves for these plans and schemes and agreements, while their rate of destruction actually accelerates.

Those who run this system are not stupid. They know that their system is unsustainable and will result in omnicide, and in their own demise. Yet they will fight over the last bit of profit from the last bit of earth, until it’s too late to save anything. They have little control over this — the economic mechanism that brought them into existence and keeps them in existence *as capitalists* makes it impossible to stop, as impossible as it would be for me to tie a knot in a rainbow.

The ruling class can not decide to stop competing and give up capitalism deliberately in favor of a sustainable global new order. Francis Fukuyama argued in “The End of History” that that had happened in an economic/political sense after the fall of the Soviet Union — he turned out to be wrong. New blocs of capital coalesce, strengthen and face off once again.

Capitalism has an inherent law of expansion that can not be reformed, even by itself, even to save itself. It is only when capitalism is in crisis, like crisis of overproduction, that contractions must happen, but these are only times of regrouping to expand even further still. Capitalism, if not overthrown, will end up destroying itself along with us. It can not do otherwise. It’s not because capitalists are bad people, it’s because of mechanisms in the system (that are still described best by marxists) of competition and the constantly falling rate of profit. Though there is also a mechanism leading toward increased monopolies, competition remains primary — there can never be a situation where one corporation swallows all the rest into one overarching global über-bloc of capital.

Governments can, though, sacrifice some capitalists to save the system, as happened with the New Deal, and has happened in the recent financial crisis too. But this is to preserve a system with competition at the core, and they will always protect the interests of “their” blocs of capital first. The best that capitalists can hope for is to get as much as they can while they can get it. They can’t make the system stop even if individuals among them might wish to; the only way for it to stop is for those with opposing interests (that’s us) to stop them.

It might seem counter-inituitive that some members of the ruling class like Al Gore are helping to expose that the planet is in trouble. But the ruling class needs spokespeople to convincingly address the concerns of the people, or they risk social disorder. These spokespeople may even personally care very deeply about reforms. Unfortunately they are incapable of calling the system that causes all this into question, so their net effect is negative.

All these recent exposure movies like “Inconvenient Truth,” “Food Inc.,” “Capitalism: A Love Story” do not really challenge the system’s fundamental nature, or exploitation as a way of life. They serve (whether intentionally or not) as ways of making people think their issues are being addressed while bringing them back into the fold. They soothe and divert percolating discontent before it has a chance to break the surface as open rebellion. The election of Obama was used for this too — it drew millions of disillusioned people back into the system’s political orbit, changed them from outsiders into participants and defenders. NGOs do this, all reformers do this, even if their intentions are good.

There are always contending ideas within the ruling class about how best to preserve and expand their rule. They’re not one united monolith. They have differences about how it’s best to rule and protect their capital. Some of them think it’s best to try to minimize the damage, prevent social disorder, make reforms; while others are more in favor of raw exploitation and the iron fist. These opinions contend, and sometimes reforms are made when the ruling class as a whole finds them necessary for the continuation of their ability to exploit. But their fundamental activity is the exploitation, not the reforms. It always will be, as long as they hold power.

For those upset by the failure of the Copehagen talks, they were doomed from the start. Even if agreements had been reached, the nations involved would have been incapable of going against their own nature. Agreements would have been unavoidably broken, limits regretfully breached.

Our future should not be thrown away on impossible wishes and hopes. For us, there’s no dodging responsibility — we must stop omnicide ourselves, by overthrowing those in power and dismantling their system.

11 Comments

Video for Kickstarter project

by admin on November 19, 2009 at 10:06 am
Posted In: Blog

Here’s a link to the video I made yesterday for people to support Derrick’s & my children’s book:

  Comment

Acronym Saved!

by admin on November 9, 2009 at 11:15 am
Posted In: Blog

It’s official — Bunnista’s new fifth column of humans group to save the planet will be called RAGE: Resistance Against Global Ecocide. Watch for Bunnista to announce this in the cartoon to be posted on 11/30 (on comics.com), and 12/1 (here).

Here’s my announcement:

4 Comments

Resist or Die

by admin on November 7, 2009 at 11:18 am
Posted In: Blog

See clips of an incredible film in production, “End:Civ” at endciv.com. It’s partly based on Derrick Jensen’s masterpiece “Endgame.”

  Comment

Contest update

by admin on November 5, 2009 at 5:08 pm
Posted In: Blog

Bunnista has received more than 150 entries for his Save-Our-Acronym contest! It’s going to be so hard to decide — there are so many fabulous ones. Thanks to all who entered!! The winning one has to be witty, catchy, powerful in both name and acronym, simple and easy to remember, and politically perfect (balancing maximum inclusiveness with the appropriate amount of militancy).

You have through Saturday to give your opinion about the following list, and/or submit your own ideas! You can comment here or send them to saveouracronym@minimumsecurity.net.

Here are some at the top of his list right now:

Radicals Against Industrial Destruction (RAID)

Dedicated Individuals Smashing Machines And Nations To Liberate Earth (DISMANTLE)

Really Angry Group of Earthlings (RAGE)

Lead Environmental Action Force (LEAF)

Force for the Response to Environmental Emergencies (FREE)

Wildlife Task Force (WTF)

The Earth’s Radical Revolutionary Army (TERRA)

Retaliation Against Global Ecocide (RAGE)

* * *

Here are some that he probably won’t pick, but are just awesomely cute and thus must be mentioned:

Leninist Anarcho-Proletariats for Imposing a Non-civilized
Earth (LAPINE)

Fungi, Lagomorphs And Mammals with Explosives (FLAME)

Rebellion Against Brainless Bipeds Infecting Terra (RABBIT)

Coalition of Human Anti-Capitalists Helping Animals Conquer Hominid Abuse (CHA-CHA CHA)

  Comment

Anthologized

by admin on November 5, 2009 at 12:54 pm
Posted In: Press/Updates

There’s an anthology published by Last Hours (UK) called “Excessive Force,” with comics against police brutality. They included a bunch of “Minimum Security” strips, the sequence when Nikko tries to ask a congressperson a question, and then gets beat up by cops, and saved by Javier.

The summary and purchasing info are here: http://www.lasthours.org.uk/excessive-force/

  Comment

Save-Our-Acronym contest update

by admin on October 21, 2009 at 11:11 am
Posted In: Blog

Oh my god, I’m so pleased about the fabulous entries for the acronym contest that Bunnista has received so far!!! People are so creative and funny! I love that.

For those coming in late, here’s what it’s about:

Bunnista, the one-eyed bunny in my comic strip “Minimum Security,” is charged with organizing a fifth column of humans to save the planet. Victoria, the revolutionary leader and a guinea pig, is bad at making up catchy names. So Bunnista is holding a contest in the hope that someone can think of one with a less wretched acronym than EERF.

Here’s his appeal: http://minimumsecurity.net/blog/2009/10/20/assistance-needed/

And here’s the narrative lead-up to it (though it goes back way further if you want to read back):
http://minimumsecurity.net/blog/2009/10/

The person who makes up the best one wins a “Minimum Security” fun pack, which includes, among other things, a free copy of “As the World Burns.”

The deadline is Nov. 8.

* * * * *

Here are a few examples of the many ideas people have sent in during the last couple of days:

RABBIT – Rebellion Against Brainless Bipeds Infecting Terra (the Earth)

W.T.F. – Wildlife Task Force

C.U.T.I.E. – Creatures United Together Invasion Effort

AARGH (Animal Action Regaining Global Hegemony)

Eliminate All Rotten Trashy Humans = EARTH

BITER – Bipedal Interface Team for Environmental Rescue

GREEN – Global Response to Environmental Emergencies Now

AUToPC (pronounced as autopsy) Animals for the Unethical Treatment Of
People Coalition

FERAL – *F*reedom *E*arth *R*esistors *A*ct for *L*ife!

CRASH: Catastrophic Rework Against Societal Havoc

The Earth’s Radical Revolutionary Army, or T.E.R.R.A.

  Comment

Blah blah blah

by admin on October 5, 2009 at 12:28 pm
Posted In: Blog

I’ll be on the radio 2:30 est on “What Now”, KOWS 107.3 fm, Occidental, CA. Listen in at kows.fm. Topic? I have no idea! Politics, comics…??

  Comment

Sound waves

by admin on October 2, 2009 at 1:39 pm
Posted In: Blog

I’ll talk some political & art bla bla bla on the radio, 2:30 EST/11:30 PT Monday 10/5. Tune in on kows.fm.

  Comment

SPX — always fabulous

by admin on September 29, 2009 at 7:56 am
Posted In: Blog

Thank you to all who stopped by the table!

I got a nice mention in the Washington Post’s Comic Riffs blog: http://voices.washingtonpost.com/comic-riffs/2009/09/_2009_ignatz_award_winners.html

  Comment

SPX

by admin on September 24, 2009 at 8:38 am
Posted In: Blog

If you attend the Small Press Expo this weekend in Bethesda, MD, please stop by the NBM Publications table and say hi! I’ll be at the table part-time selling books, comic books and a few t-shirts. Plus I’ll have some “Minimum Security” and “As the World Burns” originals available. The rest of the time I plan to wander around in awe of all the amazing work there.

  Comment

Social networking cartoons

by admin on September 21, 2009 at 11:29 am
Posted In: Blog

Here are some more cartoons that I’ve been drawing for the South Florida Sun-Sentinel. They run on Sundays, accompanying a column on social networking by Seth Liss. Each week he tells me the specific topic to illustrate.

  Comment

New “Mischief in the Forest” pages

by admin on September 18, 2009 at 4:09 pm
Posted In: Blog

I’ve finished drawing several pages for Derrick Jensen’s children’s book, “Mischief in the Forest.” I’m re-posting the cover too, so they’re in sequence.

I’ve been practicing my lettering. I’m not sure yet if this or a regular font would be best.

3 Comments

Code Green comics

by admin on September 17, 2009 at 10:36 am
Posted In: Blog

Here are the most recent “Code Green” comics. They are updated each Monday at stephaniemcmillan.org/codegreen.

  Comment

Turkish version

by admin on August 25, 2009 at 11:13 am
Posted In: Press/Updates

The Turkish edition of “As the World Burns” will be available 9/15! For readers in the US, it can be ordered from tulumba.com.

I’ve started drawing a weekly cartoon for the South Florida Sun-Sentinel, illustrating a column about social networking. Here’s a sample (I’ll post them each week to archive at the AAEC website):

  Comment

Oil Rallies

by admin on August 24, 2009 at 9:00 am
Posted In: Blog

New Code Green comic:

1 Comment

Beastlier

by admin on August 22, 2009 at 12:29 pm
Posted In: Blog

My latest Code Green cartoon made it into the Daily Beast’s “The Week in Cartoons” again! Here it is: http://www.thedailybeast.com/blogs-and-stories/2009-08-21/the-week-in-cartoons-4. Click on #6 in the gallery.

  Comment

Military solution

by admin on August 18, 2009 at 8:35 am
Posted In: Blog

This week’s Code Green cartoon:

  Comment

New news

by admin on August 17, 2009 at 9:14 am
Posted In: Press/Updates

Here is my Code Green editorial cartoon on the website of the LA Times! (Click through to the second one).

And there is another very nice review of As the World Burns on the UK zine website Last Hours.

Excerpt:

“Jocular and charming yet ferociously political, poignant and engrossing. ‘As The World Burns’ could just save us all! Give a copy to family members, next door neighbours even your local politician and ask them what they are going to do about the crimes against nature that are occurring every day around the world.”

  Comment

Request for LA readers

by admin on August 14, 2009 at 7:05 am
Posted In: Blog

My first “Code Green” comic, about the kids who don’t go outside (or know where that is), will be printed in the Los Angeles Times on Sunday, 8/16. I’d love to have a copy of it — if anyone could mail me one (I’d like the whole page it appears on, no need for the whole paper and not just the cartoon clipped out), I would certainly appreciate it!

P.O. Box 460673
Fort Lauderdale, FL 33346

Thank you to great cartoonist Joel Pett, who puts together the weekly cartoon roundup for the LA Times!

1 Comment

Glowing!

by admin on August 12, 2009 at 10:42 am
Posted In: Press/Updates

Erica Landau of Broward/Palm Beach New Times wrote a great review of “As the World Burns.” Here’s an excerpt:

“As The World Burns aims its pen as much at Al Gore’s featherweight ideas and lifestyle liberals as it does at corporate greed, corporate media, capitalism and consumption. While the message is serious, most of the dialogue and artwork is ripe for laughter.”

And here’s the whole thing: http://www.browardpalmbeach.com/2009-08-13/culture/as-the-world-burns-50-simple-things-you-can-do-to-stay-in-denial/

1 Comment

Fall novel

by admin on August 12, 2009 at 8:57 am
Posted In: Blog

Derrick Jensen has a novel coming out in late September called “Lives Less Valuable.” It’s absolutely amazing, suspenseful and engaging, and I recommend it with great enthusiasm.

It asks the question, “What are sane and appropriate responses to outrageously destructive behavior?” In the story, a young thug tormented by the cancer death of his sister, kidnaps the CEO of a polluting corporation and brings him to an environmental activist for judgment.

More than a year ago I drew some sample pages for a graphic novel version of the book. That would have been great, but a lot of the details would have necessarily been simplified and lost, so I’m glad it will be published as the full text instead.

Here’s the cover, which I designed (that’s me with the gun):

1 Comment

CG2

by admin on August 11, 2009 at 8:29 am
Posted In: Blog

I have a second Code Green comic, which is actually a comic I drew a few months ago and didn’t know what to do with. Now it has a home and a context! I added color. I’ve built the basic shell of a new site for it, here: www.stephaniemcmillan.org/codegreen/.

Here’s the comic:

  Comment

Beastly

by admin on August 10, 2009 at 9:21 am
Posted In: Blog

On Saturday my first “Code Green” comic appeared in the Daily Beast’s feature “This Week in Cartoons.”

Here: http://www.thedailybeast.com/blogs-and-stories/2009-08-07/the-week-in-cartoons-2/

Also I’ll have another cartoon running in the Sun-Sentinel this coming Sunday, to illustrate their social networking column. This one’s about news outlets getting tips on Twitter. I’ve already drawn it.

  Comment

Final cover

by admin on August 5, 2009 at 1:23 pm
Posted In: Art

Here is the final cover for Derrick’s book of interviews:

3 Comments

Triple play

by admin on August 4, 2009 at 8:08 am
Posted In: Art

Yesterday I drew an editorial cartoon. My plan is to draw one once a week, and focus on the environmental crisis. It’s called “Code Green.”

Here’s another drawing for the Polyamory book by Paxus:

There’s another one, about safe sex (warning: naked people! NSFW!) in my LiveJournal.

1 Comment

Below the fold

by admin on August 2, 2009 at 10:54 am
Posted In: Art

I have a comic on the front page of the Sun-Sentinel “Outlook” section today. If you’re in South Florida, please tell the paper you love it so they’ll ask me to keep doing it!

The assignment was to illustrate a new weekly column about social networking. The first column focused on finding jobs. Here’s the cartoon:

3 Comments

Hello forest

by admin on July 31, 2009 at 3:19 pm
Posted In: Blog

Here’s a pdf of a printed comics collection that was passed out at San Diego Comic Con (which I sadly couldn’t go to this year). It includes Minimum Security with comics from may great web cartoonists!
http://www.jorgecham.com/sdcc09/freebie.jpg

* * *

And here’s the finished sample page for “Mischief in the Forest”:

1 Comment

Sample page of Mischief

by admin on July 27, 2009 at 6:21 pm
Posted In: Blog

This still needs a few bugs, a spider, and flowers (which I’ve already drawn), plus different trees and some bushes and work on the background… It actually still needs a lot of work. But here’s the basic composition so far:

3 Comments

A Yarn Yarn

by admin on July 24, 2009 at 4:15 pm
Posted In: Blog

Today I wrote five new comics scripts (continuing the storyline: the great zoo escape), and finished Derrick’s children’s book cover:

2 Comments

Another book cover

by admin on July 23, 2009 at 4:44 pm
Posted In: Blog

Here’s a draft of the other cover that has to be done by the end of the month for the publisher’s catalog. It still needs work, but this is the basic layout and look:

I worked on this most of the day. I’m kind of tired now.

4 Comments

Sleepless

by admin on July 22, 2009 at 10:52 am
Posted In: Blog

I woke up at 5:30 and couldn’t fall asleep again for a long time. At least I got a few comic strip ideas out of it, after overcoming my reluctance to get up for paper and pen.

I made a draft of a cover for Derrick’s book, but now we’re going to start from scratch with something less grim. The title’s probably going to change as well. I’ll show it here because it’s the only place it’ll ever be seen:

  Comment

Coloring and covering

by admin on July 20, 2009 at 12:52 pm
Posted In: Blog

I’m adding comments back in here. When I first started using wordpress, I was so overwhelmed with spam that I had to turn them off. Now I have spam-seeking missiles that should take care of that problem.

* * *

I just finished coloring a new batch of comics. I had exceptional fun with them, because they include a tapir, monkeys, and Bunnista with bolt cutters. They’ll be posted 8/10-8/14. I love drawing animals!

Derrick Jensen’s children’s book, which will be published by Flashpoint/PM Press, now has a title: “Mischief in the Forest: A Yarn Yarn.” I’m going to draw the illustrations. I need to finish the cover design by the end of this month so it can be put into the catalog. I’m also designing the cover for another book of his, a compilation of interviews called “Conquest and Repression: Interviews Against Empire.” I’ll need to find some crumbling stone and ancient barred windows to photograph for that one. Hmmm.

I wish the days were longer so I could do all the things I want to do! My brain is bursting with ideas for more projects. I make notes to keep track of them, so that someday when I’m bored (I’m never bored, but it could conceivably happen), I’ll remember to do them then.

I was talking with a friend about ideas for t-shirts. Here’s one that made us laugh:
“Girls make passes at boys who cut greenhouse gasses.”

  Comment

Multi poly drawings

by admin on July 18, 2009 at 10:44 am
Posted In: Blog

More drawings for the polyamory book by Paxus at Twin Oaks:

  Comment

Essay

by admin on July 16, 2009 at 12:51 pm
Posted In: Essays/Ideas

I have an essay appearing with many others in ZNet’s “Reimagining Society Project,” here: http://www.zcommunications.org/znet/viewArticle/22022. Regular readers of my blog will recognize parts of it — it’s mostly a mash-up of previous things I’ve written, concentrated and adapted for an activist audience.

Excerpt:

“As a people, a people diverse in countless ways yet united in the need to overthrow a mighty empire, we haven’t very well articulated what we want, in a way that corresponds to what’s possible and necessary. Our energy has been diverted into denial, faith in techno-fixes, fixations on individual lifestyle changes, and secondary conflicts, all of which keep us in thrall to those in power (who know very well what *they* want).”

  Comment

The deal is made

by admin on July 15, 2009 at 11:00 am
Posted In: Blog

One of my upcoming projects is illustrating a graphic novel version of The Die is Cast, a Sartre play adapted by Ted Rall. He finalized a deal for publication, as mentioned in Publishers Weekly:

“Merrilee Heifetz at Writers House has closed two graphic novel deals for Pulitzer-winning political cartoonist Ted Rall (who’s also president of the American Association of Editorial Cartoonists). The first, for two projects, is with Terry Nantier of NBM. Nantier took world rights to Rall’s trilogy, the first of which is called The Year of Loving Dangerously, the cartoonist’s memoir about being a Columbia dropout in 1980s New York City. Nantier also nabbed world rights to Rall’s The Die is Cast, his comics adaptation of John-Paul Sartre’s existential work about two star-crossed lovers in Paris who don’t meet until the afterlife, Les Jeux Sont Faits. The second deal, with Dan Simon at Seven Stories, is for The Post-American Manifesto, Rall’s updated take on Marx’s Communist Manifesto, in which he, per Heifetz, offers a ‘call to action for Americans ready to move toward a new system where the average person is society’s top priority.’”

  Comment

Good review

by admin on July 14, 2009 at 2:05 pm
Posted In: Press/Updates

From a new review of the graphic novel I created with Derrick Jensen —

“That is why books like As the World Burns and others should be standard reading material for anti-capitalists. The delusional aspects of denial and appeasement, the refusal to use violence to stop greater violence (even, or in many cases, especially against corporate property), questions about gradual reform versus armed resistance, and other themes examined in the book are important and need to be brought to the forefront of our conversations, whether we’re fighting huge corporations, organizing for more rights, or simply trying to live in the most responsible way possible as individuals.”

Read the rest at Baltimore’s Indypendent Reader (indyreader.org/content/book-review-as-world-burns).

  Comment

Green monster

by admin on July 11, 2009 at 10:15 pm
Posted In: Art

For the polyamory book by the Twin Oaks communard (about jealousy):

Bear cuteness

by admin on July 10, 2009 at 4:00 pm
Posted In: Blog

I’m in northern California, near the Oregon border, until Monday. Today I saw a young hawk, plentiful banana slugs, and buzzing delicate iridescent hummingbirds squabbling over territory. I saw three bears, including a baby nursing and his/her mother. The mother bear sat up and leaned back to expose her belly, and nuzzled the baby’s head. So cute! The fuzzy little baby ran up and down the redwood trees, playfully bouncing on the branches.

I’m starting two illustration projects, one for a children’s book by Derrick Jensen, and another for a pamphlet or book on polyamory written by someone I met at Twin Oaks.

Gum and chickens

by admin on July 9, 2009 at 8:18 pm
Posted In: Blog

Last week I was in Seattle, at the annual convention of the Association of American Editorial Cartoonists. It was a great working convention. Last year, cartoonists seemed like deer caught in headlights as many were laid off and the newspaper industry crumbled. This year was more about picking up the pieces and figuring out what to do.

Highlights for me included participating in a panel discussion on graphic novels, a lunch meeting with fellow members of Cartoonists With Attitude, dinner next to Mike Peters (who is probably the friendliest person on Earth), and hearing original piano music by Steve Artley from his musical about a rabbit who helps liberate other animals from a lab (a theme we have in common!) I also had a very nice lunch with a friend I hadn’t seen for about 22 years, and he looked exactly the same. He showed me the famous Seattle Wall of Gum.

After that I took the bus with friends to Portland, where I got to pet some very soft and adorable chickens. Chickens are inherently comedic. I think it’s their feet.

Buying it

by admin on June 26, 2009 at 9:54 am
Posted In: Essays/Ideas

“Food, Inc.” had intense painful scenes of factory farms and poor families forced to eat cheap crappy food. It showed the suffering of animals and workers, the dispossession and control of small farmers, the injustice and depravity of our food system, the cavalier poisoning of the population for profit. It made me cry, and it made me hate capitalism even more than I already did. It made me indulge in fantasies of mobs of furious people busting into the offices of CEOs and the politicians who help them, and dragging them out for some righteous punishment.

Like “Inconvenient Truth,” the film presented the problems in a strong, compelling way.

It’s unforgivable that, also like “Inconvenient Truth,” the ending completely ruins it.

“Food, Inc.,” started going bad in the last half hour or so. When the upbeat, happy-signifying music started during a scene of an altie-foods fair, my heart sank. I knew the film was doomed and that once again we would be served up a plate of bullshit instead of the truth about what we need to do.

The key turning point of the film was when the President/CEO of Stonyfield yogurt made the outrageous (and self-serving) declaration “Capitalism will not go away,” and explained that the way to stop evil corporate food production was to build even bigger (yet non-evil) corporations to produce America’s food. From that moment, the film became an advertisement for Stonyfield, and a celebration of the fact that Wal-Mart carries it. People demand good food, and Wal-Mart is giving the people what it wants! Yay, Wal-Mart and Stonyfield!

So to re-cap, the totally evil industrial food industry, which controls the vast majority of what we eat in this country, and as the film just made a compelling case for, is irredeemably corrupt, disgusting, Earth-destroying, rapacious, merciless, and inherently self-expanding, can be fought by:

1) Supporting different big businesses that offer healthier choices (Stonyfield is owned by Group Danone of France, which also owns Evian water — thanks for the plastic bottles).
2) Doing TEN SIMPLE THINGS (I am NOT kidding — look at their web site!) — aka making easy individual lifestyle changes — aka “voting with your dollars” — aka make “wise consumer choices.”
3) Signing petitions (yes! look at the website!) begging the very government that was just exposed in the film itself as being tightly intertwined (indeed indistinguishable from, indeed the SAME PEOPLE) with corporate agribusiness, to pass laws for healthier and safer food.

Once again, our power is reduced to that of consumer. Change is up to each of us as an individual. Change is NOT, heaven forbid, to come from organizing into a mass protest movement or guerrilla army or revolutionary party or network of saboteurs or any other political formation that actually has a prayer to force the industries to stop poisoning us and destroying the planet.

Another part of the movie’s web site lists its “NGO associates.” I’ve talked with activists from Haiti, Bangladesh and other oppressed nations who used to spit in contempt when they talked about NGOs, and insisted that they were a not just a non-neutral, but in fact a counter-revolutionary force. They’re groups designed to “help” people while siphoning off, buying off and interfering with revolutionary aspirations.

That’s how this film and others like “Inconvenient Truth” function. Everyone (everyone who’s sane and awake) knows we are in trouble with climate change. Everyone knows the Standard American Diet is killing us. To deny these truths after they become obvious to everyone would make the system lose credibility. People are grumbling already. So these spokespeople for the system decide to “educate” us about the problem, make a great important (widely publicized) statement about how dire it is, for the sole purpose of diverting our energy into ineffective activities that leave the system in place.

The people who run and benefit from this system know that they will never solve these problems. The problems are embedded in the mechanics of industrial capitalism and even civilization itself. The system functions by converting the natural world (including humans) into resources, and resources into cash — it’s very defining purpose is to turn life into dead, storable wealth. It can not be reformed. It must be destroyed. They know this. They try very very hard to hide this reality from the rest of us. They use very convincing propaganda that often SEEMS oppositional, to make sure that we never come to this conclusion.

The last of 20 questions

by admin on June 25, 2009 at 11:46 am
Posted In: Blog

Here are the final questions from Scott Nickel, who has a bunch of great interviews with cartoonists on his site already.

19. How important are awards?

Some editors like to know that the content they choose has been pre-validated. If their boss complains the cartoon sucks, they can say “But it won a Magnificent Humor Quality Award!” and thus avoid responsibility for making a bad decision.

20. What’s something that nobody knows about you?

A while back, trying to make enough money to quit my job, I tried stock day trading and made $250 in only one year.

* * *

And now I’m off to the movies with my mom. We’re going to see “Food, Inc.”

Finish line

by admin on June 24, 2009 at 9:17 am
Posted In: Blog

Woo-hoo! I’m done with the six-week coloring marathon! I was up until 2 a.m. last night — I was NOT going to wake up this morning and still have to color. The last few pages were endless, because of all the animals.

Here’s a page from the final battle scene:

Now back to the interview:

16. What’s the best part about being a cartoonist?

The absolute best thing, and the reason I do this, is when readers tell me I’ve helped clarify issues for them, or have bolstered their strength to resist the system. I love drawing cartoons, but if I could better assist resistance by writing, I’d write. If I could better assist resistance by washing windows, I’d wash windows.

The second best thing is to be in charge of my own work. I hated having a job and being told what to do. I’m highly motivated and work hard, but if someone with authority over me tells me what to do, I automatically don’t want to do it. I’ve always been contrary that way.

17. Have you met any of your cartoonist idols? Under what circumstances?

I’ve met cartoonists and others in the arts whose work I very much admire. I go to conventions and discuss things with a group of lefty political cartoonists called “Cartoonists With Attitude” (cartoonistswithattitude.org), and I feel lucky to count them as friends. Their work inspires me, some for many years.

18. What advice would you give aspiring cartoonists?

If you want to make a living at it, be prepared for a hard road. You must be driven, determined, and love to write and draw. You should be willing to learn business and marketing skills, and be flexible enough to adapt to a constantly shifting media landscape. If you can be persistent, it’s incredibly rewarding to look back on a body of work that you can be proud of.

Most importantly, make cartoons that give voice to what you most care about. The world needs more art of all kinds created by people who are passionate about their issues, and less meaningless crap created to target the latest trendy marketing niche.

* * *

Next and last:

19. How important are awards?

20. What’s something that nobody knows about you?

Final stretch

by admin on June 22, 2009 at 9:42 am
Posted In: Blog

The first draft of the screenplay is done! I heard my mom laughing a lot as she read it, which is a good sign. It’s been sent off to the Film Industry Professional whom Derrick knows.

I have 2-3 days more of coloring “As the World Burns” until that’s done as well. 15 more pages out of 220. This week I also want to get at least two weeks ahead in Minimum Security, and draw 4-5 comics for a new project I’ll talk about later (if it works). Then… on to Seattle for the Association of American Editorial Cartoonists Convention. I can’t wait to see my cartoonist friends.

Here’s more for the interview:

14. What are your favorite books, TV shows, songs and films? (Yes, that counts as one question.)

I won’t say all of these are absolute favorites, but ones I love and can think of right now.

Books:
Derrick Jensen’s “Endgame,” “A Language Older Than Words” and “Culture of Make-Believe.”
“How the Steel Was Tempered,” Nikolai Ostrovosky
“Mother,” Maxim Gorky

TV shows:
“Everybody Loves Raymond” — (no, I’m totally kidding, that belongs at the top of my “most despised” list)
“Family Guy”
“The Sopranos”
“Buffy the Vampire Slayer”

Songs:
“Paris Match,” The Style Council
“Nothing Can Stop Us Now,” St. Etienne
“Steppin’ Out,” Kaskade
“One More Time,” Daft Punk
“Simply Beautiful,” Queen Latifah and Al Green

Films:
“Fun with Dick and Jane”
“Asoka”
“Lal Salaam”

15. What are your tools of the trade?

I draw on smooth Bristol board, starting with a non-photo blue pencil. I use a cut-out paper template to draw the strip’s outline. The size is 9.5 x 3, so I can fit two on a sheet of 9×12 board (I draw kind of small so I can take my materials anywhere without a lot of hassle). I use a varying combination of pens that include Gelly Roll (medium for lettering and drawing), Micron (05 for boxes, 005 for details), Faber-Castell brush (for filling in black), and random ones like Le Pen. I’ve tried so many kinds and they are all flawed. For example, the tips of Microns bend too much, brush pens only look good if you draw huge, and Gelly Rolls skip over pencil. I’m never satisfied with pens.

* * *
Next:
16. What’s the best part about being a cartoonist?
17. Have you met any of your cartoonist idols? Under what circumstances?

Cartoon talk

by admin on June 18, 2009 at 10:09 am
Posted In: Blog

More interview questions:

10. How do you develop ideas? Which comes first, words or pictures?

I think about where I want the story to go, break it down into small steps, and then write jokes around each step. I work on them in batches of five. Sometimes I have to lie down and take a nap for the ideas to develop — it’s easiest when I’m about to fall asleep or when I just wake up. Taking a walk sometimes helps too. I write out detailed scripts and then edit them down as short as possible. Usually a few days later I draw the whole batch at once.

11. Do you ever worry about running out of ideas?

I’m not worried about running out of topics and stories — those are infinite — but I do often have trouble coming up with ways to make them funny. Jokes don’t come easy for me. Sometimes it’s just impossible and I have to take a break and come back another day.

12. What’s Ted Rall really like?

Ted is one of the best people I know, and I’m honored to call him a friend. He has integrity, and has sacrificed personal gain for his principles many times. He doesn’t just care about art or writing for its own sake, but strives to make a difference in the world. He cares about, and constantly finds ways to assist, cartooning as an art form and cartoonists as individuals. He’s a brilliant editor, as everyone he’s worked with in that capacity would attest. He works incredibly hard — I have no idea how he finds time for everything he does. He has an extraordinary breadth and depth of knowledge of history and current affairs. And he loves a good argument, which may not be a huge surprise to many who’ve come in contact with him!

13. The web provides instant feedback from readers. Do comments influence the
direction of the strip or the subjects you write about?

Once in a while a reader will send me a great idea that I use. I always give credit when that happens. Some people hate the politics of the strip and send criticism that is not constructive, and I just ignore and delete that. Occasionally someone will make a point that makes sense, and I might think about it and take it into account, but I prefer to receive critical feedback from people I know, when I ask for it. I respond best (as most everyone does) to encouragement. My favorite comments come from people who tell me that they’ve been strengthened by my work. That inspires me to make it sharper.

* * *

Next:

14. What are your favorite books, TV shows, songs and films? (Yes, that counts as one question.)

15. What are your tools of the trade?

Five, a dozen — close enough

by admin on June 16, 2009 at 11:10 am
Posted In: Blog

Appearing in a comic strip next month, Super Kranti:

More for the interview:

8. Tell us about your graphic novel, “As the World Burns: 50 Simple Things You Can Do to Stay in Denial.”

I worked with the amazing writer Derrick Jensen. He wrote the bulk of it, using the characters from “Minimum Security,” and I illustrated it and wrote a few of the sections.

It’s a response to the lie that individual lifestyle changes are the solution to ecocide. For example, Al Gore’s movie “Inconvenient Truth” lays out the problem very well, but at the end is the usual tired “what you can do” list that everyone pushes because they don’t impinge too much on our “non-negotiable way of life.” These lists always include things like taking shorter showers and changing light bulbs to more energy-efficient ones, and never include things like stopping industrial production and overthrowing the system that puts profit ahead of a living world.

In spite of its serious subject matter, “As the World Burns” is very funny and involves space aliens who arrive to eat the planet and bunnies rounded up and locked in detention centers.

9. Name five of your favorite cartoonists or comics.

Five that immediately come to mind (there are many more that I love also):

All of my Cartoonists With Attitude comrades, Matt Groening, Rene Engstrom (Anders Loves Maria), Winsor McCay (Little Nemo in Slumberland), Alison Bechdel (Dykes to Watch Out For), Steven Cloud (Boy on a Stick and Slither), Jim Meddick (Monty), and Kate Beaton (Hark! A Vagrant).

Oh, is that more than five? Oops.

* * *

Next:

10. How do you develop ideas? Which comes first, words or pictures?

The future is undrawn

by admin on June 15, 2009 at 9:27 am
Posted In: Blog

Ted Rall has a new hee-larious animated cartoon! Here’s a still from it. Notice the product placement — a Bunnista t-shirt! Thanks Ted!!

* * *

Back to the interview for Scott Nickel’s blog, which already has a bunch of great interviews with cartoonists and is worth checking out.

7. What’s the future of comics? The Internet? iTunes? The Kindle?

It could be any or all of these (and definitely cell phones), except that we’re in the process of not only an economic collapse, but also a catastrophic ecological collapse — which means human civilization is going down too. In the future, when electronics are nothing more than heaping mounds of toxic junk, the few survivors will draw cartoons on the crumbling walls of abandoned houses.

In the meantime, though, people want to read comics online and on their phones and ipods and everywhere they read everything else. People have a primal need for jokes and stories. Of course, as a cartoonist I would like a mechanism to develop that would make it a paying profession for more than a few people, no matter what the venue. Otherwise, as we see with the decline of journalism, we’ll end up with an endless cycle of young hopefuls who struggle to squeeze a bit of coin from the vague promise of “exposure” (or do it for love after earning money elsewhere), before giving up in frustration and the next wave of young hopefuls takes their place.

There are good and bad things about that cycle, which is already in play. We gain an endless variety of comics blessed with freshness and enthusiasm, but must sift through a lot of crap to find the good ones. The art form has become more accessible and democratic, but we’re losing some of the pros who have spent years honing their craft. Some of the pros had become lazy and deserve to fail; others will be missed.

All of the independent cartoonists I know, whether they focus on the web or on print, talk and strategize endlessly about how to make a living. It takes iron discipline and a lot of slogging hard work. They must develop good business skills and configure multiple revenue streams. On the web, it’s advertising and merchandise (including books). In print, it’s cultivating clients, and doing illustration work or graphic novels on the side. Usually (certainly in my case) it’s a blend of everything, whatever works. In either realm, making a living usually means that we have to spend more of our time marketing and selling than actually creating comics.

A lot of us didn’t realize this when we decided to become cartoonists. In our daydreams, we sit at our desks, left alone in peace to create soaring works of genius while cash magically appears. Sadly, it’s easier to win the lottery than to achieve that glorious condition.

Comics as an art form is in transition, and flowering. There’s so much great work everywhere, and so much stupid crap as well. People will try everything, display comics in a million places. I don’t know what will end up working and what won’t — the evolution of media is rapid and unpredictable. With persistence, luck, and a determination to hone business skills whether we like them or not, those who draw good comics will find their audiences.

* * *

Coming next:

8. Tell us about your graphic novel, As the World Burns: 50 Simple Things You Can Do
to Stay in Denial.

9. Name five of your favorite cartoonists or comics.

10. How do you develop ideas? Which comes first, words or pictures?

Amused muse

by admin on June 13, 2009 at 11:04 am
Posted In: Blog

I’m writing cartoons far in advance now, into August, to have extras done before I start traveling again in a couple of weeks. I’m starting at the convention of the Association of American Editorial Cartoonists in Seattle, and then going to California and other places for several more weeks.

When I get stuck writing, often it helps me to take a nap. Before and after sleeping, that period of drifting is when ideas come. I have to keep paper and pen with me to catch them all.

Coming in July and August: Kranti wanders the city, lost. She gets jacked up by feral unemployed CEOs, then is terrified by an evil place. Finally Bunnista joins her and they come across a zoo. I’m sure you know what they’ll do when they see all the incarcerated animals…

  • Page 4 of 6
  • « First
  • «
  • 2
  • 3
  • 4
  • 5
  • 6
  • »

Category filter

  • Art (10)
  • Blog (180)
  • Code Green Cartoons (43)
  • Comic (1515)
    • 2007 archives (174)
    • 2008 archives (261)
    • 2009 archives (262)
    • 2010 archives (through April) (76)
    • 2010-2012: Resistance to Ecocide (615)
    • 2012: Proletarian Theory is a Revolutionary Social Force (127)
  • Essays/Ideas (19)
  • Interviews (10)
  • Press/Updates (31)
  • Shop (3)
  • Story Guide for "Resistance to Ecocide" (1)
  • Uncategorized (3)
  • Videos (7)


Please support this website
via Paypal:


New books 2012:

The Beginning of the American Fall: A Comics Journalist Inside the Occupy Wall Street Movement. $16.95; free shipping in US.

The Knitting Circle Rapist Annihilation Squad (a novel). $15; free shipping in US.


Minimum Security archives:

May 2013
M T W T F S S
« Apr    
 12345
6789101112
13141516171819
20212223242526
2728293031  

… drop-down by month

Comics

  • BOASAS
  • Cartoonists With Attitude
  • Matt Bors
  • Ted Rall
  • Tom the Dancing Bug

Find/friend me on:

  • Facebook
  • gocomics.com (Universal Uclick)
  • IMDb
  • My Amazon Wish List
  • Tumblr
  • Twitter
  • Wikipedia

Ideas & Organizations

  • Beautiful Resistance Distro
  • Derrick Jensen
  • End:Civ
  • One Struggle / South Florida
  • Radio Against Global Ecocide
  • The Filthy Politicians

©1987-2013 Stephanie McMillan | Powered by WordPress with ComicPress | Subscribe: RSS | Back to Top ↑